展覽介紹​​

百尊自廟宇中虎爺齊聚一堂，如同一幕幕時代的切片，承載著信仰的變遷、工藝的演進與人們生活樣貌的流動。

本次展間以「傳統戲台」作為空間發想核心，將戲台轉化為主舞台，

讓曾經守護地方、靜靜佇立於廟宇角落的虎爺，再次站上聚光燈下，成為被觀看、被理解、被重新認識的主角。

 

展間以舞台式結構結合供桌意象，融合 LED 燈條、廟宇旗幟與傳統紋樣語彙，將熟悉的信仰元素轉譯為當代視覺語言。

光影不僅象徵神聖能量的流動，也回應現代展演空間的節奏與感知方式，使虎爺的存在於莊嚴與親近之間取得平衡。

透過這樣的空間設定，虎爺不再只是被供奉的神祇，而是以更親民、更貼近生活的姿態，走進當代社會的視野之中。

呈現的是台灣文化新舊交融、多元並蓄的生命力一種持續轉化、持續演進的文化狀態，

讓信仰不只是過去的記憶，而是仍然與當下共振、與未來對話的存在。

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Exhibition Introduction​

One hundred Tiger Lords gathered from temples across Taiwan come together in this exhibition,

forming a series of temporal fragments that reflect the transformations of belief, the evolution of craftsmanship,

and the shifting rhythms of everyday life.

The exhibition space is conceived around the idea of the traditional opera stage, reimagined as a central platform. 

Once quiet guardians standing at the corners of local temples, the Tiger Lords are brought back into the spotlightinvited to be seen,

understood, and rediscovered as the protagonists of this stage.

 

​The spatial design combines stage-like structures with the imagery of temple offering tables. LED light strips, temple banners,

and traditional ornamental patterns are woven together to translate familiar religious symbols into a contemporary visual language.

Light and shadow not only suggest the flow of sacred energy, but also respond to the tempo and sensory experience of modern exhibition spaces,

allowing the presence of the Tiger Lords to find balance between solemnity and approachability. 

Through this spatial arrangement, the Tiger Lords are no longer presented solely as deities to be worshipped,

but as figures that step closer to everyday life—entering the contemporary cultural landscape with warmth and familiarity.

What emerges is a portrait of Taiwanese culture as a living continuum: a state of ongoing transformation where tradition and modernity coexist,

beliefs remain in dialogue with the present, and faith continues to resonate toward the future.